Saturday, January 5, 2008
Whenever something new, exciting and revolutionary is introduced to the general public, it's nearly a given that other corporations, companies and interests want to hitch their branding wagon to that train. And with the Apple iPod Nano, it was, and still is no different. The iPod listerally changed the way the world thinks about music. Soon after its release, you could walk around any hip metropolitan street and see those instantly recognizable white ear buds poking through the collars and jackets of many people, young and old, male and female. All those iPod uses represent a huge target audience. Fortunately, or unfortunately depending on your point of view, a marketing genius did realize that.
Many companies that, at first glance, would have very little to do with the Apple iPod, soon lined up to be associated with the world's most popular portable digital music player. For example, there were many charities who worked together with the iPod. By hooking up with the Apple iPod brand, charities could appear current and important.
However, even though charities recognized the power of the iPod, it was the music industry itself that has taken the greatest advantage of the reach and visibility of the iPod. Now, the music industry generally frowns upon downloading music from a computer onto an iPod without paying for it. But, some people in the music world realized that the iPod Nano is so popular, that there are people who won't listen to music in any other format besides on their iPod. The danger was that to go against the iPod Nano was to go against your fanbase.
The biggest band to work with the iPod was U2. A special U2 version of the iPod was released, and selected songs from an upcoming album were only available to be heard via the iPod. Of course, innovative, expensive and exceptionally cool marketing and advertising campaigns were released. Because of this foresight, two goals were achieved. One, of course, was to work together with the Apple iPod Nano to get the music and songs released and introduced to the public. The second goal was that U2 did not appear to be anti-download and embraced the iPod and everything it can do.
Before, there were many bands who did not like the idea of downloading. This had a negative backlash against the image of the band. But, with the advent of the Apple iPod Nano, it is now imperative that if the whole world is going to be listening to this little device, then they might as well be listening to you.
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What is the Difference Between Falsetto and Head Voice Singing?
Falsetto and head voice are similar, but they are also different in many ways. The reason the two are often confused is because you can sing head voice very softly so that it sounds very much like falsetto.
What is Falsetto?
Notice the word "falsetto" contains the word "false!" That's exactly what it is - a false impression of the female voice. This occurs when a man who is naturally a baritone or bass attempts to imitate a female's voice. The sound is usually higher pitched than the singer's normal singing voice. The falsetto tone produced has a head voice type quality, but is not head voice.
Falsetto is the lightest form of vocal production that the human voice can make. It has limited strength, tones, and dynamics. Oftentimes when singing falsetto, your voice may break, jump, or have an airy sound because the vocal cords are not completely closed.
What is Head Voice?
Head voice is singing in which the upper range of the voice is used. It's a natural high pitch that flows evenly and completely. It's called head voice or "head register" because the singer actually feels the vibrations of the sung notes in their head. When singing in head voice, the vocal cords are closed and the voice tone is pure. The singer is able to choose any dynamic level he wants while singing.
Unlike falsetto, head voice gives a connected sound and creates a smoother harmony.
Tips to Develop Head Voice
If you want to have a smooth tone and develop a head voice singing talent, you can practice closing the gap with breathing techniques on every note. Just the right air pressure balance is needed to bring notes through smoothly. Try singing notes without straining your facial muscles and without trying to force your voice into something it's not.
As you can see, falsetto and head voice are totally different though they can sometimes sound similar. Practice with voice exercises to enjoy a smoother flow and tone while singing. You’ll be surprised at how great your voice can sound!
About the Author:
Bob Pardue is the owner of Music Playground. Have some fun and learn some awesome singing tips by visiting www.largemart.com/singing/ right now ...
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